Lady Gaga, die ich bisher als unter meiner Würde befindlich betrachtete, nahm an der gleichen Performance teil.
Lady GaGa talks about Marina Abramović {4:46}
Hochgeladen am 30.05.2010
Lady GaGa talks about Serbian artist Marina Abramović.
Relation in Time. Marina Abramović and Ulay {2:28}
Hochgeladen am 26.11.2010
Marina Abramović was born in 1946 in Belgrade, Yugoslavia. Since the beginning of her career, during the early 1970s where she attended the Academy of Fine Arts in Belgrade, Abramović has pioneered the use of performance as a visual art form. The body has been both her subject and medium. Exploring the physical and mental limits of her being, she has withstood pain, exhaustion and danger in the quest for emotional and spiritual transformation. As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci and Chris Burden, Abramović created some of the most historic early performance pieces and continues to make important durational works.
Abramović has presented her work with performances, sound, photography, video, sculpture and Transitory Objects for Human and Non Human Use in solo exhibitions at major institutions in the U.S. and Europe. Her work has also been included in many large-scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992). In 1998, the exhibition Artist Body - Public Body toured extensively, including stops at Kunstmuseum and Grosse Halle, Bern and La Gallera, Valencia. In 2004, Abramović also exhibited at the Whitney Biennial in New York and had a significant solo show, The Star, at the Maruame Museum of Contemporary Art and the Kumamoto Museum of Contemporary Art, Japan.
Abramović has taught and lectured extensively in Europe and America. In 1994 she became Professor for Performance Art at the Hochschule fur Bildende Kunst in Braunschweig where she taught for seven years. In 2004 she was awarded an Honorary Doctorate from the Art Institute in Chicago.
She was awarded the Golden Lion for Best Artist at the 1997 Venice Biennale for her extraordinary video installation/performance piece Balkan Baroque‚ and in 2003 received the Bessie for The House with the Ocean View‚ a 12-day performance at Sean Kelly Gallery.
In 2005, Abramović presented Balkan Erotic Epic at the Pirelli Foundation in Milan, Italy and at Sean Kelly Gallery, New York. That same year, she held a series of performances called Seven Easy Pieces at the Guggenheim Museum in New York. She was honored for Seven Easy Pieces by the Guggenheim at their International Gala in 2006 and by the AICA USA with the "Best Exhibition of Time Based Art" award in 2007. Abramović's work is included in numerous major public and private collections worldwide. She was the subject of a major retrospective at the MoMA - The Artist is Present - from March 14 through May 31, 2010.
Marina Abramović lives and works in New York.
Art Marina Abramović Rhythm 0 {1:38}
Veröffentlicht am 04.08.2013
VIDEO OF THE ARTIST .....MARINA ABRAMOVIC
RHYTHM 0...1974
RHYTHM 0...1974
Marina Abramovic on Belgrade culture and her roots {10:26}
Veröffentlicht am 29.09.2012
Bonus footage taken from the 2012 documentary "Marina Abramovic. The Artist Is Present"
“An artist’s life Manifesto”, by Marina Abramovic. {3:15}
Veröffentlicht am 25.10.2015
1. An artist’s conduct in his life:
– An artist should not lie to himself or others
– An artist should not steal ideas from other artists
– An artist should not compromise for themselves or in regards to the art market
– An artist should not kill other human beings
– An artist should not make themselves into an idol
2. An artist’s relation to his love life:
– An artist should avoid falling in love with another artist
3. An artist’s relation to the erotic:
– An artist should develop an erotic point of view on the world
– An artist should be erotic
4. An artist’s relation to suffering:
– An artist should suffer
– From the suffering comes the best work
– Suffering brings transformation
– Through the suffering an artist transcends their spirit
5. An artist’s relation to depression:
– An artist should not be depressed
– Depression is a disease and should be cured
– Depression is not productive for an artist
6. An artist’s relation to suicide:
– Suicide is a crime against life
– An artist should not commit suicide
7. An artist’s relation to inspiration:
– An artist should look deep inside themselves for inspiration
– The deeper they look inside themselves, the more universal they become
– The artist is universe
8. An artist’s relation to self-control:
– The artist should not have self-control about his life
– The artist should have total self-control about his work
9. An artist’s relation with transparency:
– The artist should give and receive at the same time
– Transparency means receptive
– Transparency means to give
10. An artist’s relation to symbols:
– An artist creates his own symbols
– Symbols are an artist’s language
– The language must then be translated
– Sometimes it is difficult to find the key
11. An artist’s relation to silence:
– An artist has to understand silence
– An artist has to create a space for silence to enter his work
– Silence is like an island in the middle of a turbulent ocean
12. An artist’s relation to solitude:
– An artist must make time for the long periods of solitude
– Solitude is extremely important
– Away from home
– Away from the studio
– Away from family
– Away from friends
– An artist should stay for long periods of time at waterfalls
– An artist should stay for long periods of time at exploding volcanoes
– An artist should stay for long periods of time looking at the fast running rivers
– An artist should stay for long periods of time looking at the horizon where the ocean and sky meet
– An artist should stay for long periods of time looking at the stars in the night sky
13. An artist’s conduct in relation to work:
– An artist should avoid going to the studio every day
– An artist should not treat his work schedule as a bank employee does
– An artist should explore life and work only when an idea comes to him in a dream or during the day as a vision that arises as a surprise
– An artist should not repeat himself
– An artist should not overproduce
– An artist should avoid his own art pollution
14. An artist’s possessions:
– Buddhist monks advise that it is best to have nine possessions in their life:
1 robe for the summer
1 robe for the winter
1 pair of shoes
1 begging bowl for food
1 mosquito net
1 prayer-book
1 umbrella
1 mat to sleep on
1 pair of glasses if needed
– An artist should decide for himself the minimum personal possessions they should have
– An artist should have more and more of less and less
15. A list of an artist’s friends:
– An artist should have friends that lift their spirits
16. A list of an artist’s enemies:
– Enemies are very important
– The Dali Lama has said that it is easy to have compassion with friends but much more difficult to have compassion with enemies
– An artist has to learn to forgive
17. Different death scenarios:
– An artist has to be aware of his own mortality
– For an artist, it is not only important how he lives his life but also how he dies
– An artist should look at the symbols of his work for the signs of different death scenarios
– An artist should die consciously without fear
18. Different funeral scenarios:
– An artist should give instructions before the funeral so that everything is done the way he wants it
– The funeral is the artist’s last art piece before leaving
– An artist should not steal ideas from other artists
– An artist should not compromise for themselves or in regards to the art market
– An artist should not kill other human beings
– An artist should not make themselves into an idol
2. An artist’s relation to his love life:
– An artist should avoid falling in love with another artist
3. An artist’s relation to the erotic:
– An artist should develop an erotic point of view on the world
– An artist should be erotic
4. An artist’s relation to suffering:
– An artist should suffer
– From the suffering comes the best work
– Suffering brings transformation
– Through the suffering an artist transcends their spirit
5. An artist’s relation to depression:
– An artist should not be depressed
– Depression is a disease and should be cured
– Depression is not productive for an artist
6. An artist’s relation to suicide:
– Suicide is a crime against life
– An artist should not commit suicide
7. An artist’s relation to inspiration:
– An artist should look deep inside themselves for inspiration
– The deeper they look inside themselves, the more universal they become
– The artist is universe
8. An artist’s relation to self-control:
– The artist should not have self-control about his life
– The artist should have total self-control about his work
9. An artist’s relation with transparency:
– The artist should give and receive at the same time
– Transparency means receptive
– Transparency means to give
10. An artist’s relation to symbols:
– An artist creates his own symbols
– Symbols are an artist’s language
– The language must then be translated
– Sometimes it is difficult to find the key
11. An artist’s relation to silence:
– An artist has to understand silence
– An artist has to create a space for silence to enter his work
– Silence is like an island in the middle of a turbulent ocean
12. An artist’s relation to solitude:
– An artist must make time for the long periods of solitude
– Solitude is extremely important
– Away from home
– Away from the studio
– Away from family
– Away from friends
– An artist should stay for long periods of time at waterfalls
– An artist should stay for long periods of time at exploding volcanoes
– An artist should stay for long periods of time looking at the fast running rivers
– An artist should stay for long periods of time looking at the horizon where the ocean and sky meet
– An artist should stay for long periods of time looking at the stars in the night sky
13. An artist’s conduct in relation to work:
– An artist should avoid going to the studio every day
– An artist should not treat his work schedule as a bank employee does
– An artist should explore life and work only when an idea comes to him in a dream or during the day as a vision that arises as a surprise
– An artist should not repeat himself
– An artist should not overproduce
– An artist should avoid his own art pollution
14. An artist’s possessions:
– Buddhist monks advise that it is best to have nine possessions in their life:
1 robe for the summer
1 robe for the winter
1 pair of shoes
1 begging bowl for food
1 mosquito net
1 prayer-book
1 umbrella
1 mat to sleep on
1 pair of glasses if needed
– An artist should decide for himself the minimum personal possessions they should have
– An artist should have more and more of less and less
15. A list of an artist’s friends:
– An artist should have friends that lift their spirits
16. A list of an artist’s enemies:
– Enemies are very important
– The Dali Lama has said that it is easy to have compassion with friends but much more difficult to have compassion with enemies
– An artist has to learn to forgive
17. Different death scenarios:
– An artist has to be aware of his own mortality
– For an artist, it is not only important how he lives his life but also how he dies
– An artist should look at the symbols of his work for the signs of different death scenarios
– An artist should die consciously without fear
18. Different funeral scenarios:
– An artist should give instructions before the funeral so that everything is done the way he wants it
– The funeral is the artist’s last art piece before leaving
Ulay & Marina [PT-BR subs] {22:13}
Veröffentlicht am 18.03.2013
'Marina Abramović: The Artist is Present' (http://imdb.to/XLiapa) four excerpts, with Марина Абрамовић (http://www.marinaabramovicinstitute.org/) and Frank Uwe Laysiepen (http://www.ulay.si/).
"Nightsea Crossing/Conjunction. 1981-1987/1983": http://j.mp/11b9pYE | "The Great Wall Walk. 1988/2008": http://j.mp/11b9xaG | "The Artist is Present. 2009": http://j.mp/11b67EH
"Walking through walls -- Marina Abramović's performance art" (by Judith Thurman): http://nyr.kr/WRWdGx, http://j.mp/11b003k
"Walking through walls -- Marina Abramović's performance art" (by Judith Thurman): http://nyr.kr/WRWdGx, http://j.mp/11b003k
Marina Abramovic - ARTIST IS PRESENT (La muraglia cinese) {3:44}
Veröffentlicht am 19.09.2012
Marina Abramovic - ARTIST IS PRESENT (La muraglia cinese)
Marina Abramovic: The Abramovic Method, my body, my performance, my testament | Exclusive interview {9:16}
Veröffentlicht am 20.03.2012
The Abramovic Method is the artist's will, the climax of an awesome career, which leads Marina Abramovic to Milan for an exhibition and an unmissable live performance. Check out our exclusive interview with Marina!
Check out Bonsai TV on YouTube: www.youtube.com/bonsaitv
Check out Bonsai TV on YouTube: www.youtube.com/bonsaitv
Marina Abramovic | Interview | TimesTalks {10:40}
Veröffentlicht am 05.04.2013
Marina Abramovic talks about her work, her collaborations and the future of performance art with New York Times culture reporter Patricia Cohen -- www.timestalks.com. Marina Abramovic has used her own body as a medium, pushing herself beyond her limits. After her landmark retrospective at MoMA in 2010, she collaborated with director Robert Wilson, singer-composer Antony Hegarty and performer Willem Dafoe, to create an experimental opera based on her biography. The work, "The Life and Death of Marina Abramovic," will be performed at Luminato in Toronto June 14-17.
Das Einbetten des Videos »Marina Abramović at the Smithsonian's Hirshhorn Museum and Sculpture Garden« [Link] wurde auf Anfrag deaktiviert.
Marina Abramović with Sir Norman Rosenthal (FULL) | 92Y Talks [1:24:21]
Veröffentlicht am 27.06.2013
On performance art, Marina explained: "It's all about energy. And energy is something which is invisible. You can't hang it like a painting on a wall. You have to feel it."
Does she describe herself as a political artist? Mr. Rosenthal asked at one point. "No, I don't want to be in any category," Marina told him. "I'm not political artist. I'm not a social artist. I'm not this, I'm not that. You know, the art has to have complexity and have many, many layers at the same time. Otherwise there will be just one. If it's political, it's like old newspaper; you read today and tomorrow it's old."
For more videos like this, subscribe to our channel here: http://www.youtube.com/subscription_c...
Marina Abramovic - A Conversation {1:35:42}
Hochgeladen am 21.11.2011
Informal discussion with the performance artist for GSD students, led by Sanford Kwinter.
11/17/11
Marina Abramović: Advice to the Young {8:45}
Veröffentlicht am 27.10.2013
Follow your intuition. Have courage. Do what you imagine. And always be completely present in the moment. Marina Abramović on what it really means to be an artist: "A great artist has to be ready to fail."
Meet the charismatic performance artist Marina Abramović in this interview on what it means to be an artist, waking up each morning with an urge to be creative.
Abramović says that the most courageous act in the history of mankind was Christopher Columbus discovering America, which was in fact a mistake, since they went into the unknown believing they would reach India. She also explains how the best advice she received as a student was to never allow things to become routine.
A good artist will have one really good idea in their life, while a brilliant artist may have two, so one has to be careful with the ideas, Abramović says. She explains that she always does the work she is most afraid of, which is most different to what she has done before. Finally Abramović adds that the performing artist has to be completely present in the moment, and cannot be thinking of the next step. You have to follow intuition, have courage and do what you imagine.
Marina Abramović (1946) became world famous after her retrospective 'The Artist is Present' at MoMA in 2010, which was followed by a documentary film premiering in 2013. Abramović began her career in the early 1970s and has recently begun to describe herself as the 'grandmother of performance art'. Abramović's work explores the relationship between performer and audience, the limits of the body and the possibilities of the mind. To Ambramovic the purpose of art is the transformation of the artist and of the viewer.
Marina Abramovic was interviewed by Christian Lund in New York, September 2013.
Photography by René Johansen.
Editing by Kamilla Bruus.
Produced by Christian Lund, 2013.
Copyright: Louisiana Channel, Louisiana Museum of Modern Art.
Supported by Nordea-fonden.
Meet the charismatic performance artist Marina Abramović in this interview on what it means to be an artist, waking up each morning with an urge to be creative.
Abramović says that the most courageous act in the history of mankind was Christopher Columbus discovering America, which was in fact a mistake, since they went into the unknown believing they would reach India. She also explains how the best advice she received as a student was to never allow things to become routine.
A good artist will have one really good idea in their life, while a brilliant artist may have two, so one has to be careful with the ideas, Abramović says. She explains that she always does the work she is most afraid of, which is most different to what she has done before. Finally Abramović adds that the performing artist has to be completely present in the moment, and cannot be thinking of the next step. You have to follow intuition, have courage and do what you imagine.
Marina Abramović (1946) became world famous after her retrospective 'The Artist is Present' at MoMA in 2010, which was followed by a documentary film premiering in 2013. Abramović began her career in the early 1970s and has recently begun to describe herself as the 'grandmother of performance art'. Abramović's work explores the relationship between performer and audience, the limits of the body and the possibilities of the mind. To Ambramovic the purpose of art is the transformation of the artist and of the viewer.
Marina Abramovic was interviewed by Christian Lund in New York, September 2013.
Photography by René Johansen.
Editing by Kamilla Bruus.
Produced by Christian Lund, 2013.
Copyright: Louisiana Channel, Louisiana Museum of Modern Art.
Supported by Nordea-fonden.
aktualisiert am 11.06.2017
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